Hoping to catch up soon.

ride the ghost of that ship

I agree with Michael. Judgement Night is the first episode of in last several I've really enjoyed. The narration in the beginning is strong writing and sets the tone for the rest of the story, which is played out slowly and builds the tension right through until the final scene. There are clues as to Lancer's identity but I felt uncertain of who he really was even when he see him giving orders from the submarine. 

The last few minutes embark on a bit of moralizing. But it doesn't feel condescending. Instead, it suggests that the consequences of a person's actions (in war, but probably in life too) are something that they will have to live with forever. 

------

I'm excited about this project again. I have to leave for work soon but I'll probably catch up with a few more episodes tonight after work while everyone else is watching Spring Breakers. 

3 weeks is too long...

What happened to all our enthusiastic steam!! An explanation would be the crappy episodes sucked out our will to post about TZ, but 2 out of the previous 3 i thought were REALLY good. And yet, still none of us were inspired to post in a timely fashion. Let's get with it peeps! Myself included!

Let's start with "Judgement Night". FINALLY a GOOD episode!! This is the first episode in a WHILE that didn't feel rushed. They had an idea, presented their characters, created confusion and turmoil, explained its origin and sealed with gloom and doom. Tight and to the point. Effective. Really enjoyed this one. I was satisfied with the contents, but almost wish an hour long version of this existed so we can have a little back story on the passengers. Otherwise, Sterling and Co. brought their A game

Side note--- while I'm typing this I'm listening to the latest Third Man Records Vault Package Release. For those unfamiliar Jack White's label 'Third Man Records' has a quarterly Vault membership that gets you limited Vinyl releases to Vault Club members. Includes 1 LP, 1 45 and a special gift of some sort every quarter year. Packaging is top notch and the vinyls are GREAT quality. His whole label really has some good stuff... back to the TZ.

'And When the Sky was Opened' I thought again utilized it's time frame superbly. With this episode we see the theme of space travel/flight returning. This time though our story remains grounded here on earth. We don't know what the pilots were doing, where they were going, or their mission  We only know that for a brief minute the astronauts disappeared and then reappeared. Popular movie scenarios would suggest some sort of extra-terrestrial involvement providing alien abduction/possession or impregnation. We never get to learn what happens in that time frame, but we don't need to. All we need to know is regardless of WHAT happened these astronauts were NOT supposed to make it back, yet somehow they did and are now being selectively ERASED from existence. Creepy dark stuff. Loved it.

.....'What You Need'.. What i needed was this episode to end as soon as it began. The worst part is i don;t even know WHY i didn't like it. Something about the characters just didn't mesh with me right off the bat. I just didn't care. How many sweet old men are gonna get taken advantage of in this series anyway? MEH.

Tired Zone

Mike's right again, of course. The last few episodes have been okay at best (but I have a real soft spot for Time Enough). And Mike nails what the primary problem is: everything seems rushed. Serling & Co. come up with a great idea, then rush through to the next big idea, never spending the time to unpack the idea at length. This is, so far, the TZ's biggest weakness. It's ironic, too, because the show's short running time is often one of its best features, packing an enormous emotional or intellectual wallop into a tight little 20-odd-minutes package. At its best, everything is focused and distilled into some primal articulation of half-thought fears and dreams.

"Time Enough at Last" is a deservedly classic TZ episode, if only because it is here in this episode that we realize how cruel a place the TZ can be. So far, in the series, we've seen a pilot go crazy in a simulation, a salesman make the pitch of his life, a town drunk find redemption, an aging actress discover a happier if not healthier place for herself to retire to, a trip to the past and lessons learned, the dangers of dealing with the devil, and leaving life on an asteroid after having you robot girlfriend shot. There have been twists and upsets and all sorts of strangeness, but never before have Rod and crew been this low-down disgustingly mean and sadistic. I wish I could remember how I felt watching this as a child. I wish I could have been there to see this broadcast for the first time in 1959. Because it's a nasty sucker punch to the gut, especially for us bibliophiles.

"Perchance to Dream" is a silly episode and the twist at the end is silly. BUT, there is that Maya the Cat Lady dance. So, there's that.

Another 2'fer

I don't know if its the quality of episode that has given me no inspiration to write stuff or what. These last 4 episodes have been from meh to horrible as far as entertaining goes.

"Time Enough at Least" started with potential. You cant go wrong with Burgess Meredith and yet somehow The TZ did. Wiki shows this episode as the first NOT to be written by Sterling himself. He merely adapted the screenplay. I'd like to think maybe this is where it went wrong but the 3 of the last 4 episodes WERE written by Sterling and they all sucked. Its almost as if they run out of time in each episode. Everything seems rushed. Maybe i'm just used to having stories presented in hour long formats. There is time for fluff and to work things out. Anyway, this was our first truly TRAGIC episode. Nothing bad should have happened to Meredith's Henry Bemis. He was harmless. All the man wanted to do was read and his overbearing, wretched wife wouldn't let him. His dickhead boss wouldn't let him. BOOM everyone's gone, all the time in world to read. Glasses break, wtf. WTF. REALLY? NOT FAIR. Low blow TZ, very low blow.

"Perchance to Dream"..... *grumble*. I really don't have much to say about this one besides I could watch Suzanne Lloyd dance around as Maya the Cat Lady all day. I did have a good giggle when the psychiatrist showed absolutely NO emotion what so ever when a man died on his couch.

She would have made one hell of a Bond girl no??

Bring on the next episode. I need a good ONE!!!

2 For the Blog of One

It seems we all weren't too impressed with these past 2 episodes. The main characters were annoying, plot was paper thin, relationships not fleshed out. Just a mess. I really don't want to spend much time in thought on these 2 episodes. so I'm gonna keep this short and sweet.

As far as "Escape Clause" is concerned, as lackluster as this episode is i do believe it gave me my favorite one-liner of The TZ thus far delivered by out protagonist Walter.

 "Go drown yourself in the tub Ethyl"

In fact all of his insults towards his wife had me chuckle a bit. Other than that... MEH.

I really wish the relationship between man and machine was explored a bit more in "The Lonely . John, I have to agree that being given your own personal asteroid as a "punishment"...... doesn't seem to bad considering the alternative of federal "pound-me-in-the-ass" prisons.

Since i am being crass, if this episode was made by today's standards, the issue of of sex would have been front and center. If a man exiled for years on a lonely asteroid was given an attractive android woman, the first damn thing he would do when the patrol rocket filled with the only humans for millions of miles blasted off into the sky would be to check if his new "playmate" was a "pleasure bot" model.


                                                   He sure as hell wouldnt do this........

                                               Which of course leads to...

                                                                           THIS

                                                                 

                                               But somehow we managed to make nice and do

                                                                         THIS

                                                                Which ultimately led to

                                                                            THIS!

                                                                        

                                                                       

I'm done.

Bring on episode 8 tomorrow and hopefully we have better things to discuss.

The Lonely

"The Lonely" is a frustrating episode. I want to like it, but I got annoyed right from the beginning by the implausible premise. In the future, we're spending billions of dollars on rocket fuel and space travel to deliver supplies to prisoners who have been given their own asteroids?!?

Then, the mechanical girl part flys by. There's no real emotional development that makes us grieve or think at all when the end comes.

The episode isn't all bad. At the very least, it reminded me of this song, which I first heard performed by Bobby Bare....

Shel Silverstein: Ever Lovin Machine
http://youtu.be/uaQGRkmhKB8

You're a Potato Pancake

My heart hasn't been in this lately.

I'm putting a post up just to put a post up.

I was tired of "Escape Clause" before the first scene ended. Nothing later in the episode changed my opinion. A whiny hypochondriac who turns into whiny murderer is hardly a tragic arc. I wanted the dude to die from the first moment he opened his mouth. So, why did I care so little when the inevitable conclusion arrived? Because I had to watch that whiny jerk for all the time in between. I was wishing for my own escape clause to get me out of watching the episode.

Another dud as far as I'm concerned.

Escape Clause

This one was frustrating to watch from a personal standpoint, though I think that it makes a pointed observation about how those who don't appreciate a little won't appreciate a lot.
I would never have sold my soul, but if I had, I would have made much better use of my time than he did. Getting himself into accidents? What the hell? That's about the stupidest thing you could do with immortality. It was hard to watch him make such terrible decisons with such a wonderful gift. It's like he didn't trust his immortality like he didn't trust his health. I commented to my family while watching that "the devil knows his victims." He made the offer to Walter knowing full well that he would squander it. The devil would never offer me immortality for my soul, because he knows he would lose out big time on the deal. That's not to say that there aren't other ways he could trick me...Regardless, my soul isn't for sale anyway.

Walking Distance

I was all set to rave about my favorite episode so far, but you two took the wind out of my sails! First of all, regardless of how it's used, I LOVE time travel as a plot device. It doesn't matter how lame it is, it gets my imagination going. Frankly, walking is a lovely mode of time travel because it keeps things simple. No complicated pseudo-science here; you're walking into the friggin' Twlight Zone, baby!

For me, it wasn't the moral-of-the-story aspect of it that I loved so much. I mean, it's not clear what the lesson was that he was supposed to have learned. Maybe, "Accept the life that you've lived with dignity"? "You only get once shot at childhood, and won't realize it or appreciate it until long after the fact"? "Remember that creeper you ran into at the playground when you were six? He might have been your future self"? So, whatever about that. But the nostalgia part of it--I could go for that.

What I liked the most about the episode was the notion of seeing your past from a new perspective. Our memory is faulty, biased, and has lots of holes. Who hasn't daydreamed about going back to important events from your life and seeing how things really went down? Who hasn't thought about having the ability to intepret one's own childhood culture from an adult perspective--not just schoolyard antics, but fashion, toys, media, and all that? You're going to laugh, but wouldn't it be great to go into a department store and see rows and rows of brand new Empire Strikes Back figures on the racks? Or, for that matter, see it in the theater when it was first run? To watch MTV and Nickelodeon before they were tired mainstream channels, to eavesdrop on playground chatter with its ejaculations of "boss" and "gnarly" and "rad." And then to go a step further, and to watch yourself playing as a child--the things you could learn and understand about yourself! I'll tell you that I've daydreamed of talking to myself as a child--telling my younger self things I wished an adult had. Of course, TZ gets that part right--chances are your grown up self would scare the bejesus out of your kid self. It would be tough to make that connection. But I'd still want to try, hopefully in a less dramatic way than our hero from the episode...

I have a story that illustrates this, actually. When I was about 26 or so, I rented a car and drove to the house in Connecticut where my parents split up. I had not been there (that I remembered) since we moved out when I was four or five. Dreamlike images of the house and the street were burned into my brain, and I had referred to them often over the years. Because of the time in my life they represented, they were powerful images and held a certain sway over me.

I parked my car across the street from the house. The neighborhood was formerly Navy housing, so all the houses were small and uniform in their appearance. I was not expecting the house I lived in to be so small; it loomed so large in my mind. And of course, to a four-year-old it *had* been much larger. The backyard where I played was tiny. I wanted to knock on the door to see inside, but whoever lived there was having company, so I had to settle for seeing it from the outside. I peered around the side to the window of the guest room. My dad had been using that as his room when he moved out of the shared bedroom, and my mother tells me I would go in there often looking for him (he usually wasn't there). In my mind's eye and in my psyche it was a huge space, and I felt small when I went in there as a child.

Now, as an adult, all I could think was, "This is it?" It was not even a little intimidating or overwhelming. I could handle this house, and the memories that came with it. On top of that, all the lights were on at the house, and there were cars in the driveway and on the street. I could see shadows moving across the drawn curtains. New memories were being made here. The house had moved on, and so could I.

Sometimes going back can help you to move forward. "Walking Distance" illustrates that nicely.

Anywhere you can hang your head.

Dang it, I'm behind again. I watched this episode last Tuesday, then did nothing about it.

"Homewood" is a terrible mess of an episode. First of all, it had the worst time travel machine I've ever seen in a time travel movie. Walking? Sheesh. Second, I'm not big on nostalgia. I have some fond childhood memories, but there's no temptation to go back to some golden era. Because there was no golden era. And going back and living in the past only gets you a gimpy leg.

This episode is a dud as far as I'm concerned.

Meh.

Homewood...really?

There's not much to be said about this episode that hasn't already been said, or question that hasn't already been asked. It seems to be one of the most revered episodes of TZ with praises coming form all sorts of media outlets and personalities, including, a personal favorite of mine, J.J. Abrams. Supposedly this is his favorite twilight episode even including an homage to it in his feature film 'Super8' (a movie I immensely  enjoyed and seem to be in the minority in doing so). However, with that said, i wasn't really a big fan of this one. I guess my biggest problem is my dislike of the main character Martin. The man just irks me, i don't know why. He was being a dick right off the bat to the gas station attendant and i guess it just rubbed me the wrong way. He didn't deserve to go back to his childhood and experience that whole ordeal. It's not like he took anything away from it aside form a bum leg. He's still content to live his life the way hes living, maybe he had a happier childhood because of it.... maybe he didn't, who knows... and to be honest.. I don't care.

HOWEVER...

                       WHO IS THIS MAGNIFICENT CREATURE???

What a beauty!

I don't think she's credited so if anyone can tell me who she is... it would be GREATLY appreciated.

Living in the Past

I didn't end up watching both episodes, as my son wanted to end on an episode of Portlandia (which has actually been our pattern after TZ episodes) because the Twilight Zone is "creepy." At least he's watching them with us. Who knows how long that will last.

So an aging actress can't cope with reality. As unlikeable as she was, I still couldn't help but feel sorry for her, as I feel sorry for anyone who is not able to endure loss in life and resorts to escapism. Best case scenario, she is able to adjust and accept and embrace what is, and forge a new identity for herself. But barring that, she's really better off disappearing into a fantasy world (in the TZ for real) and sparing those around her from her continuing misery.

Messing Everything Up

I can't believe the time got away from me already! I don't know what I was doing last week, but I missed TZ Tuesday. And here it is another one already.

A brief word about the western one before I watch two tonight to catch up.

I thought the elixir guy was a bad guy at first, setting up the drunk gunslinger for even more trouble. So I was a little surprised at the ending. Unlike Michael, I like westerns, but this one was ultimately unsatisfying. I guess I thought it was going to be more complex than it was, that there was going to be more of a twist. I don't know. However, I did like John's thoughts on the episode, and reading them made me appreciate it more.

My Ida Lupino Shrine

"Sixteen Millimeter Shrine"

This episode feels slight after the previous three episodes. Even so, it stars the never old Ida Lupino in what was surely a personal role. It's a well-known fact that Hollywood actresses rarely aged in their careers successfully. The next young thing was always ready to take over. Some of the lucky ones made it into TV. Many ended their careers early. This TZ episode is a sad acknowledgment and respectful nod of the head at all of these women cut off in their careers much too early.

"The poor man's Bette Davis"

Meet Barbara Trenton. Classy actress and belle of the ball. On top of the world starring in movies with the hottest actors and probably attending every high luxury party in Hollywood. However, this is not the Ms. Trenton we are introduced too. We meet Barbara 20+ years after her prime. An aging actress cutting herself off from a world who has forgotten her and living in her OWN world where she is still relevant. Still proud, still a lady. Even if shes pounding cocktails at noon. She would NEVER refer to herself as the "Poor man's Bette Davis". And yet, this is the way Ida Lupino (the woman playing Ms. Trenton) described herself in her career. Some quick research actually turns up that Ida Lupino was constantly at odds with the movie studios and was adamant about not taking on roles she felt were “beneath her dignity as an actress.” Coincidence? I think not. I cant help but think Ida was purposely picked for this role because of her likeness to the character. Who knows, maybe Trenton was written differently in the original script and when Ida got her hands on it she changed the motivation behind the character. Whatever the case, the performance is believable.

By the end of the episode things have gone supernatural which i don't think any of us were surprised about. This IS The Twilight Zone. However, this episode felt to me like an episode of "Amazing Stories" (which i guess is really a twilight zone ripoff). And not even just the "twist",  something about the pacing of it. I cant really describe it. Amazing Stories was MY Twilight Zone having grown up in the 80's.  One particular episode entitled "Welcome to My Nightmare" a teenager, through his love for horror movies, is transported into Hitchcock's "Psycho". Kind of the same premise our leading lady has here. I wonder how many episodes will have similar themes between the 2.

and..

Martin Balsam will always be Detective Balsam in Ezzio Greggio's "Silence of the Hams". Which also happens to involve "Psycho"...and "Silence of the Lambs".... and its genius.


Rating-- 4 out of 5 *'s

The Sixteen Millimeter Shrine

This week we get an episode much different than the first three. It doesn't have to do with science fictional concepts or philosophical problems like death and fate. Rather, episode 4 is about the human mind and an unwillingness to move forward.

Barbara Dean Trenton is an aging actress who spends most of her time secluded away reliving her life through the films she made 15 or 20 years ago. Throughout this episode Barbara is confronted with the reality of present day in the form of the sunlight bursting through the windows and old enemies and friends. But she refuses to accept any of it. Consciously and loudly, Barbara decides to seclude herself and to live in the past. I think this is part of the problem with the episode. Barbara tells us that she refuses to recognize reality and it seems too melodramatic and unreasonable. Unconsciously slipping into the past is one thing. Making an effort to do so seems like another.

I think that this is our first truly depressing and unhappy ending. There is a little bit about how Barbara will be happier living in her fantasy world. But do we believe that? Is it really better to take the blue pill? Is she even in this fantasy world or is she just lost even more deeply in her mind?

So, while there were some interesting things going on in this episode, it isn't going to be a memorable one for me. It's a bit tedious and overdone.

You and me....12:00.... at the Bike Rack

“Love Your Fate, which is in fact your life.” 
― Friedrich Nietzsche

Im not exactly a fan of westerns, never was. I just don't care i guess. I struggle to connect with characters, locations and motivations in westerns. It's very foreign to me, in fact more foreign than a sci-fi epic taking place on a distant planet, or a fantasy land of trolls and wizards, or even an alternate reality within dimensions beyond our own. These places and settings ARE  quite different form our own reality. A "civilization" far removed from what we call the real life. Citizens in these places play by a foreign set of rules and claim victory, or defeat,  with a foreign sense of pride, or shame , respectively,.. BUT, in some way... its always familiar.  Our heroes in these stories are heroes for a reason. KILL, KILL, KILL! the monster for the horrible things it's done to the "innocents". Are the innocent REALLY innocent? Or do we just sympathize with them, because they are the standard "Good" guys. The heroes. US.. PEOPLE.....HEROES... or sometimes common men functioning at a level  higher than the status quo. A "virtuistic" attempt to thwart do-badders, no matter what the cost. DESTROY the MONSTER. At first the "monsters" motivation for killing, maiming  hurting, taking, scaring, tearing, ripping, loathing etc.....  are unknown to us. We have no connection and no sympathy for the "monster". Why should we?? We've all grown to hate and fear the "monster". However, more often than not.... (especially in current story telling arcs and scripts) ...by the end of our journey we usually have an explanation of motivation behind the "monsters" heinous actions. We UNDERSTAND the emotion, or lack of emotion, that guides the "monsters" to act the way they have acted. We may not AGREE with it, but we UNDERSTAND it.

Here lies my issues with westerns.

I don't UNDERSTAND why the bad guys are bad. And to be quite honest, i don't UNDERSTAND why the good guys are good. Gunfights and showdowns and Quick Draw McGraw type actions at High Noon are a myth. The setting is real, the locations are real, hell.. even sometimes the MEN are real.. but the actions.. aren't. Hollywood made westerns what they are, or at least what I'VE come to know them as. Its a format where you KNOW who the BAD guys are and KNOW who the GOOD guys are and that's ALL you need to know. For some, that's enough. For MOST, that's enough and i am sure at some point during some movie it's even been enough for me... BUT not this time. It's the one thing i think of when watching a western and unfortunately it more often distracts me from the story then intrigues me. I just don't CARE what peoples motivations are because 9 times out of 10 we don't get to find out.

Im being harsh on westerns and feel bad about it. This episode just was a bore to me and didnt feel like delving into why without explaing my reasons for it. That would be the "Western" way out...... Bastard Westerns.

Rating-- 2 out of 5 *'s.

fate can work that way

Well, I've learned my lesson. If I don't write about the episode immediately after watching it, I put it off until the last day. It's even harder when John has already written some great thoughts.

Did anyone not like this episode?

Doomsday

Is it any surprise that this is my favorite episode so far?

Twilight Zone + Westerns = TV Gold

Here is the Twilight Zone near its best. As an audience, we're dragged through a full range of emotions, all of them earned.

Al Denton, when introduced, is pathetic. We witness as Denton will suffer any humiliation for a drop of drink. And those of us who have had any experience with addictions know that this moment is true. A silly song is a small price to pay for a moment's peace.

But, it's only ever a moment.

When Fate steps in, Mr. Denton stands up tall and strong once more. We learn how and why he was ever brought so low. And, again, we sympathize. And it feels good as Denton cleans up, gaining strength as he confesses his woes.

I'll stop walking through the plot.

What was amazing to me is how happy this all ends. Fate, often so callous and cruel, here hangs around simply to give a helping hand to two troubled souls.

"Mr. Henry Fate, dealer in utensils and pots and pans, linaments and potions. A fanciful little man in a black frock coat who can help a man climbing out of a pit—or another man from falling into one. Because, you see, Fate can work that way...in the Twilight Zone."

Even more amazing is that Serling gets away with this title, Mr. Denton on Doomsday. There is no mention of any Doomsday during the episode. There is no end of the world scenario at all. It's much more personal than that. This is Mr. Denton on Mr. Denton's Doomsday. The end of an entire world and way of life for one man. In a sense, Denton had been living out a "Doomslife," a slow torment of a life in which not-feeling and not-acting were preferable to anything else. When the "final" Doomsday comes that Fate arranges for Mr. Denton, well, Al Denton sees things through to the other side. After Doomsday? New Life.

Final thought. Dan Duryea was no stranger to western films. I've seen him in two great westerns (Night Passage, Winchester '73; and I've seen him in a small role in Lang's so-so noir Ministry of Fear). As far as I know, he always played supporting roles. Only in the Twilight Zone could he take center stage. (EDIT: It only took me a minute to look it up after posting this. Duryea did indeed have a star role in at least one western, Al Jennings of Oklahoma, in which he plays Al Jennings of Oklahoma! Now, I'm really wanting to see that movie!).

One for the Angels

I suppose the moral of the story is that you can't cheat death, but it was really a bummer that the old guy actually talked his way out of dying only to go when he was supposed to anyway. Death's really gotta be some kinda bastard to kill a kid in place of the old guy. Maybe he knew he was going to try to save the girl; maybe that was the point. Was it all orchestrated beforehand? I suppose if you believe in that fate malarkey. Of course, despite the fact that he has no one to brag about it to (because you probably don't brag in heaven, do you?), it's still pretty impressive to be able to say you sweet-talked death not once but TWICE in one day. Or a half day, really. And you can't help but feel a little nervous if death is the kind of guy who can get deterred by a few colorful ties. Even if he would fit in perfectly on a Mad Men episode.

Death Deals

It only took me the second week to fall behind. Late or not, here's a response to another very good episode.

"One for the Angels" is enjoyable mostly because of Ed Wynn's performance.

We, the audience, don't want to die. We also don't want this nice man to die. Give him a few more years to make some more children happy.

The kicker moment in the episode is when Wynn cheats death, gaining immortality. He's found the loophole W.C. Fields was reportedly looking for on his deathbed.

Things could have gone really dark at that moment.

Instead, we get Death conning the con man. It all wraps up in a very emotionally satisfying package. I'm pretty sure that St. Peter was wearing a new tie the next morning.

A Pitch...

Week two, episode 2. 

There is something about A Pitch for the Angels that doesn't afford me the same excitement that Michael has for the episode. I guess I appreciate the self-sacrifice moral of the story. Though is it really self-sacrifice if you're the cause, which, if we accept the "Mr. Death" premise, then we have to accept that Lou's bargaining is directly responsible for the little girl getting hit by the car. 

I'm also torn when it comes to my feelings about the last pitch. I understand that it was meant to be a classic catch-22. If Lou gives a pitch good enough to distract Mr. Death until after midnight, he will have saved the girl while forfeiting his own life by completing the earlier bargain. Of course, Lou chooses to do the right thing. However, I couldn't help but feel that it was also saying that consumers/customers are not able to think for themselves in the face of thin yet persuasive advertising (pitches) - even ones that don't necessarily rest in truth. 

Overall, this was just an okay episode for me. 

"I Have a Bridge to Sell You"

In a nutshell.... The Mad Hatter sells silk ties and slavery to the Mayor of Amityville to prevent the untimely death of the worst child actor of all time, whose demise is coincidentally caused by the selfishness of the Hatter himself.

"One for the Angels" is a great episode that truly holds up to it's own name, largely due to the performance of Ed Wynn. This man SELLS (pun intended) the character of Lou Bookman. He just NAILS it. Although childless himself, he adores the children around him. Selling oddities and entertaining the children, this is what satisfies Mr. Bookman. What a perfect character to be "STALKED BY DEATH". (Loved that line) I had a big ol laugh when asked what "unfinished business" Mr Bookman had that constituted prolonging his life his responses were flying in a helicopter and seeing a Zulu war dance. By that rational most of us will never die.

I guess i can thank my mother for forcing me to watch 'JAWS' 100x a week while i was a kid, for I am NEVER able to see or hear Murray Hamilton (Death) without thinking of the mayor that wanted us all dead by keeping the beaches open and feeding us to a giant shark. I found myself smiling watching Death unravel as Mr.Bookman made his "Big Pitch".  Go ahead Death, sweat it out... thats what you get for years worth of nightmares and lifetime aversion to beaches and water. Asshole.

Second quality episode as far as im concerned. TZ's getting off to a good start.

Rating-- 4 out of 5 *'s

There is a fifth dimension...

beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.

Season 1, episode 1: Where Is Everybody?

Agreed, gang, 'Where Is Everybody?' was a great way to kick off the series. And as Ben wrote, it establishes many of the key themes we'll find as we work our way through this fine activity.

My brother Jeff and I decided to watch the Twilight Zone in sequential order this time last year (minus season 4, which still isn't up on NWI). Up until that point, like many of y'all, I had only seen various episodes here and there. Now that I have completed multiple seasons of the show, I can't wait to get to some of my favorites.

I know Jason and Ben feel pretty confidant about living in isolation (if they had books and ice cream around them). I don't know that I could say the same. I'd probably break down after a couple of hours...and I love alone time as much as the next hermit. The "Omega Man" scenario, as I'll refer to it, seems pretty terrifying to me. And I'm not sure that I could relax and read if the only book around was The Last Man on Earth...unless it's got some helpful tic-tac-toe tips.

When I saw this episode last year, I had a feeling that the main character was undergoing some sort of government simulation, but I thought it was more for military purposes. The post-nuclear vibe of the abandoned town certainly leads you in that direction, so it's cool that the end of the episode deals with the other important aspect of the Cold War--the Space Race.The 50s and 60s certainly were a time that seemed to rest between "the pit of man's fears and the summit of his knowledge." The Twilight Zone came at the perfect time, and should be regarded as one of the greatest television shows ever made.

Additional notes:

*Good stuff from Michael about TZ's "major plot workhorses." The Twilight Zone, like other great shows, offers plenty of rewards for those who pay close attention. 

*Many of my nightmares/hallucinations involve me yelling for hashbrowns with no one around to cook them for me. It's frightening.

*I love the shot revealing the cigarette in the police station. Very eerie and exciting stuff.

*It's pretty cool that Rod Serling was born in Syracuse and grew up in Binghamton. If memory serves, Binghamton is even mentioned in an upcoming episode that takes place at a bus station. I have a massive amount of respect and admiration for Serling; too bad the same cannot be said of Binghamton. What a shit hole.

*I can't wait to watch the season 5 episode 'An Occurence at Owl Creek Bridge.'  I know we've got a long way to go, so maybe I'll just watch it on my own soon; I have yet to see it, and I hear great things. Is that your favorite ep., Ben?

*There are definite duds out there, but I really can't recall any terrible, god-awful episodes. I think...

*Many people give JFK credit for the U.S. landing a man on the moon, but I think Twilight Zone fans know better, it was all Earl Holliman, baby!

*I would love to see some of the old commercials that aired in the 50s and 60s, as well, John. I had that thought once while watching Mad Men. I think it would be cool for companies to do.

*"It's like something out of that twilight-y show about that zone." - Homer Simpson (Tree House of Horror VI, Homer3)

This is the Dimension of Imagination

Place: Here
Time: Now
Journey into the Shadows? Could be my journey.

The episode begins with the above narration accompanying a pan across some trees to reveal our everyman surrogate ambling down an empty road.

Cue loud music and shot of cafe exterior.

Enter cafe. Signs of life. Music. A kettle boiling.

And the mystery develops as we have it confirmed that we are Americans and, yes indeed, we are hungry.

Hungry, hungry people. It is slowly, but increasingly obviously, revealed that this is a deep hunger: a hunger for any other human contact outside of oneself. We are shown that we find ourselves unable to even self-identify apart from our relationship with others. The world slowly starts to crack under the strain of radical oneness.

You play tic tac toe with yourself and you always lose.

---

I was pleased with this first TZ episode. It establishes the off-kilter tone of the TZ as well as being a great example of how personal the TZ often feels. This is immersive television, grabbing the viewer and demanding submission for a short entertainment and a few Sanka instant coffee commercials (that would be another interesting project, if it were even possible, to watch the TZ with its original commercials).

I'm looking forward to the rest of 2013. Every Tuesday gives us a new reason to celebrate. Welcome to the Good TV Celebration Zone.

I'm an American and I'm hungry. That much is established.

Alright, we're off to a great start with both Jason and Michael leading the way. Awesome!

When we were first discussing this project I voted to watch the episodes in order. That is because I've seen a lot of TZ episodes growing up but never with any sort of coherency. The SciFi channel used to run marathons on January 1st and July 4th. In many ways, those were the highlight of my TV watching for the year.

So, imagine my surprise when I start Season 1 Episode 1 and realize that it's actually one of my favorite episodes from when I was younger (we won't get to my favorite episode from when I was older for a few years as it is in Season 5).

A few notes:

This episode hits many of the great science fiction tropes. Actually, it's probably the genesis, or at least one of the earlier iterations of, many of these. For example, the end of the world/last man alive scenario, space travel, and psychology in the form of hallucinations and man as social being, loneliness and being alone - "the barrier for loneliness, that's one thing we haven't licked yet." (Remember, this discipline was still very much in its early stages in 1959. Carl Jung had not yet died and there was a growing popular interest).

This episode is also interesting from an historical perspective. In 1959 the Soviets landed the first object on the moon. "Where is Everybody" aired on October 2nd of that year (I didn't realize this was quite so close until I looked it up). I find it hard to believe that this episode wasn't partly a response to that. Of course, shortly after, in 1961, Kennedy announced that the US would put a man on the moon before the end of the decade. He was right. Apollo 11 landed in 1969, ten years after TZ made that promise to the moon itself - "So don't go away. We'll be up there in a little while."

Some other thoughts:

I agree with Jason. When I saw him look through the rack of books in the Ice Cream store and then the next scene had him playing tic tac toe with himself in the dirt, I wanted to yell, "Go get a book and some ice cream and enjoy the quiet!" But, that probably says more about us and our world than it does about the episode.

Michael, I think you're right about the major themes to be revisited throughout the series. The small incongruencies and the little coincidences are important. Everything's important.

Did anyone else think that the mannequin factory in the small little town was as funny as I did? I guess it was his subconscious being humorous.

Overall, this is a strong episode and great start to the series. I'm sure there will be duds. But the duds are probably the ones that didn't get re-aired on TV marathons. So, I've probably missed them and the completist in me is excited to catch up.

And It Begins...

First of all i want to say a big Hello to my fellow film club members participating in this long, but sure to be fulfilling event. I, like Jason, have only seen maybe a dozen or so episodes of "The Twilight Zone" and looking forward to visiting the series properly.

I REALLY enjoyed this episode. I don't know whether it was the excitement of this new en devour that influenced my opinion or if it WAS just a good episode. I think even by today's standards if it premiered on television tomorrow AS IS (save some dialogue changes) it would be welcomed  by the common 'populi' and be a great introduction to the set & tone of what TZ has to offer. A mysterious man stumbles into a mysterious circumstance, void of people, slowly realizing he may be the last man on earth for reasons unknown. Disoriented and confused he walks around town with the hopes of finding others, and the sense of danger around ever corner. Sound familiar..?? This sounds like a building block for the first act of the pilot episode of "The Walking Dead".... sans the zombies. Which shows me not  a lot has Changed in 50 years!! If it's not broke , don't fix it i guess.

It also introduces us to 2 of TZ's major plot workhorses:
1. Dates, Times, Names and Numbers i feel will play very important factors in the remainder of the series. ie: the smashed clock in the roadside Diner set at 6:15 was in fact the smashed clock in the iso chamber set to same time. What is represented in "reality" A may have an equally significant representation in "reality" B. In other words... KEEP YOUR EYES OUT!!.

and 2. In a moment of high tension, don't be afraid to release that tension in the form of a ringing telephone.... like an ice cold Colt 45.. "It Works Every time". I want a dollar for every time this is used throughout the series.

Preliminary rating (since there is lack of comparison) -- 4 out of 5 *'s  ##rating subject to change as series progresses and basis for comparison is established.

Where Is Everybody?

I commented during the episode that rather than being outright scary, something The Twilight Zone is good at is saddling the viewer with a strong sense of unease. For a first episode, this is a great sign of things to come. I'm excited about this project as I've always wanted to see more of The Twilight Zone, and have to this point only managed to watch maybe a dozen episodes. So I imagine I'm in for a treat.
Two thoughts for this episode: first, if I suddenly found myself in that situation, I'd have a seat at the drugstore with my ice cream and read for a long, long time. Second, 1950's TV language is so queer. I suppose for as long as he'd been in the isolation chamber, his freak out made sense, but in the middle of it, I was all like, Dude, chill. Do people really hallucinate in that much detail when they're that isolated?
Hey, it reminds me of the Masters of Horror episode I watched last night, Family (John Landis). That guy was hallucinating because he was lonely, too. Weird.

2013 has been named the Year of the Twilight Zone.

Let's do this thing, gents. One episode a week. One blog post a week per person. Starting now.